

Children at book events often ask me if all the cats and dogs in my Animal Stories series belong to me. I have to explain that I could never have written the books without the wonderful animals I’ve been lucky enough to share my life with, but I haven’t actually had fifty-five different puppies and kittens. (The fifty-fifth book in the series is published in April!) Even though I did grow up with one cat, two dogs, twelve gerbils, a mouse, three hamsters, a terrapin, some stick insects and a canary (not absolutely all at the same time).
Lots of the books are actually based on my own pets – Lost in the Snow,
the very first book in the series
was inspired by Rosie, the stray kitten who adopted my family a little while before I was born. Our clever kitten was a family story, and I have such strong memories of making up adventures for her with my mum. When my editor at Little Tiger suggested writing a lost cat book, seventeen years ago, those stories were still in my head. In every story the poor kitten was having a terrible time – she was lost, stuck in the snow, hungry, being chased by a dog – but it was OK, because I knew that she was actually downstairs, probably curled up on the back of the sofa (or letting my dad feed her cheese and onion crisps, which were her favourite treat). I wanted that drama and danger in my books, along with the security of a happy ending.
Now I have three very spoilt cats (I’ve just rescued a coffee cup with milk in from my eldest cat, who thinks food tastes better stolen). They’ve inspired five books between the three of them so far, as well as giving me constant reminders on cat behaviour while trying to sit on my laptop. But lots of my books are based on stories from friends, and even from readers. I had the most brilliant email from a fan called Edie a few years ago, telling me about her kitten who’d been rescued from a barbed wire fence, and named Barbie! I read it thinking, wow, this is a book! That email became The Rescued Kitten.
The Railway Kitten came from being told another wonderful rescue story. My agent Julia told me about the cat at Gipsy Hill Station near where she lives – actually just up the road from Norwood, where I grew up. I loved the idea of a station cat who liked to greet all the passengers, and wondered about putting a station cat into a book. However, I’d actually already written The Forgotten Puppy, about a dog
who accidentally goes on a train journey, and I didn’t want the stories to be too similar, so I made notes
and stored the idea away. (The Forgotten Puppy was inspired by a reader who told me at a book event about her station staff dad finding a dog on one of his trains!) A while later, Julia gave me an update on Fanny the Gipsy Hill Cat – she’d been hit by a car and badly injured, but a crowdfunder had raised the money for her operation in a matter of hours. It was such a wonderful example of love. Fanny was actually saved by community donations a second time in 2020, when she had a serious infection and needed veterinary care.
Real animal stories are a fantastic starting point – but I often have to make a lot of changes to make the original story work for a children’s book. For The Railway Kitten I really wanted to add child characters. Scarlett and Abbie are nine-year-old girls who love seeing Whiskers at the station every day on their way to school – they’re really worried when she disappears, and they’re the ones to discover the kitten after her accident. They’re desperate to save her, but the kitten’s owners need help to fund her surgery. The girls are the ones to suggest fundraising, and they make posters to put all round the station to tell everyone who loves Whiskers what’s happening. After the surgery Whiskers’s owners aren’t able to give her the care she needs, and Scarlett adopts her. The details about Whiskers’s operation and aftercare actually came from my own cat Milly, who was hit by a car a few years ago (the third book she’s had a major part in!)
I’m so excited for The Railway Kitten to be published – it’s a story that I’ve been thinking about for such a long time!
Photo credit: Charlotte Knee
To hear more from Holly Webb, then watch this interview filmed last year at Holly’s home.Writer, Lucy Falkner wins a Books that Help and Little Tiger mentorship for her delightful rhyming book about a hardworking dung beetle that dreams of recognition and the limelight. Runner up is Krystal Snead for her story ‘Something Different’ supporting change and individuality.
In Autumn 2022, Books That Help founder Clare Helen Welsh launched a mentorship in partnership with children’s publisher, Little Tiger.
The mentorship offers an un-agented writer or writer-illustrator a series of virtual sessions with Welsh, beginning this year, to support the development of their picture book. The picture book should fit with the ethos of Books That Help, which aims to create emotionally honest spaces for children and families.
Editorial Director at Little Tiger, Ellie Farmer ran a live webinar in which she answered questions and shared examples of what she felt were great examples of picture books that help. Applications opened on 19th October and over 100 entries were received from writers all over the world.
On behalf of Little Tiger, Senior Editor Perry Emerson joined Clare Helen Welsh to whittle down the texts to one winner, one runner up and two highly commended.
The winner is ‘Dung Beetle Doug’ by Lucy Falkner.
Lucy is a teacher currently taking a career break to be at home with her young children. Her story ‘Dung Beetle Doug’ has environmental and educational themes. It stars an overlooked dung beetle and drives home an important message – we all have equal value in society.
Lucy’s text is written in exceptional rhyme, and balances character and story with action, humour and a heart-warming message to empower young readers.
This is what Lucy had to say about winning the mentorship:
“Having completed a writing course with Clare I knew that the chance to win this mentorship was not to be missed! I wrote Dung Beetle Doug during many sleepless nights with my youngest after hearing about a dung beetle safari at a farming festival. I am thrilled that my story has been selected and I look forward to benefiting from Clare’s guidance.”
In close second was ‘Something Different’ by Krystal Snead.
Krystal Snead is a Yorkshire-based writer and part time social worker. Her story ‘Something Different’ aims to support children with change and celebrates individuality. There is incidental representation of Hirsutism in the one of the characters.
Snead said: “When I first heard I’d been chosen as runner up for the ‘Books That Help’ mentorship I was stunned. I still am. With so many emotions swirling around it’s hard to express exactly how I feel. Thrilled – yes! Surprised – absolutely! But most of all, I am incredibly grateful. I had been reluctant to send my story out into the world, not sure if it was too niche, or too personal to resonate with others. But I guess that is what attracted me to ‘Books That Help’ in the first place, a safe space where important and sometimes difficult subjects can be explored. A huge thank you to the judges for your encouragement and for giving me the motivation to carry on sharing my story.
Although Krystal narrowly missed out, Books That Help are delighted to be able to offer her a 1:1 with agent, Alice Williams (Alice Williams Literary), who has kindly donated her time to support Krystal on her journey to publication.
On shortlisting the texts Perry Emerson said,
“Helping Clare to choose a winner was both a joy and a challenge. A joy for the variety and quality of texts that were submitted; a challenge for having to pick only one! In Lucy, we have found an author with a real natural talent for picture book writing, and I’m excited to see how she and Clare work together to develop her stories over the course of the mentorship. My huge congratulations to Lucy, and to all the shortlisted authors.”Welsh said, “It was the highlight of my Autumn to read entries from so many wonderful writers who write to make the world a better place. The stories were read, re-read and carefully considered. It was incredibly difficult to decide between them. I urge everyone who entered to keep writing and to keep sending their words out into the world. It was a privilege and a pleasure to read every single one.”
The two highly commended texts were Daddy Has Feathers by Victoria Gatehouse, which explores the range of emotions a child can experience when a parent cross-dresses and When A Goldfish Dies by Andi Chitty, which approaches the finality of the death a pet with peace and hope.
The Books That Help team would like to thank everyone who applied. We hope to run the mentorship again in the future.
When Shadows FallThe Yoto Carnegies The Yoto Carnegies, the UK’s longest running and best-loved book awards for children and young people, today announced the longlists for 2023. Dominated by independent publishers, the stories range from intimate examinations of family life to sensitive introductions to societal issues impacting the world today, with many reflecting on past histories or looking to the future of our planet.
If You Still Recognise Me
What is The Time Tider about?
The Time Tider is the story of Mara Denbor, a girl who has always lived with her dad, Gabriel, in the back of a van which they’ve customised to hold everything they need. They’re constantly on the move, and Mara’s dad gives her the impression that this is because a mysterious ‘someone’ is after them. Mara has never questioned it, despite the many difficulties they’ve encountered over the years, until she stumbles upon some of her father’s many secrets and realises that he hasn’t been telling her anything like the whole story. For her dad isn’t just her dad; he’s also the Time Tider, a person whose job it is to gather up deposits of unused or wasted Time from anywhere in history – and then, just as Mara’s getting her head around that, her dad is kidnapped…
Tell us a bit more about the world Mara and Jan lives in, is it a contemporary world?
Mara, Gabriel, and Jan’s world is indeed a contemporary one. It’s based on modern-day Ireland, and the place-names I’ve used can be mapped on to or have some relationship with towns and areas in Wexford, where I grew up, as well as Dublin (which goes by its own name in the book). Derrinfield is a fictional place though I imagine it as a little like several of the towns in the Irish midlands, where I live now. However, I have taken liberties with some of the distances involved! In reality, ‘Whiteharbour’ and ‘Port Ross’ are a lot closer than they are in The Time Tider, even if you are driving on back roads.
How did you come up with the idea of The Time Tider?
The idea for The Time Tider was one of the first I ever had, back in my early twenties (a long time ago now!) when becoming an author was a dream I never imagined would come true. I was studying for a PhD in English literature at the time, and one day as I read a very interesting book (Time, Work and Culture in the Middle Ages by Jacques LeGoff) I came across a discussion about the history of time and timekeeping, and how ideas about time completely changed once clocks, and clock-towers, became common throughout Europe. Once upon a time people used nature, or their own bodies, to tell the ‘time’ – so, they rose and went to bed with the sun, they ate when they were hungry, and so on. But when clocks ‘regularised’ time, people started rising when the clock struck six, and eating when the clock struck one, and something about that grabbed my imagination. I remember excitedly thinking: what if this change created a gap between the two ‘Times’? And what if the gap between these two Times filled up with wasted time? Or unspent time? And if that could happen, and someone was able to go back and collect all that wasted time – what would they do with it? And so, The Time Tider was born. I have tried to write it at least five times over the past twenty years, and I’m so glad that I’ve finally found the right way to write it. Sometimes, writing things the wrong way first is really important!
What are you most excited to share with readers of your new children’s book?
I’m excited to share the setting of this story, as it’s my first contemporary setting. All my other books have had historical settings, or at least pretend-historical settings; The Time Tider is the first book I’ve written which features mobile phones, cars, modern-day problems like homelessness, poverty, sickness, and parents who might not have their children’s best interests guiding their decisions (at least, not all of the time). I really love Mara, my central character, and how brave and clever she needs to be to work out all the secrets of her family while also just surviving in a tough situation, and I also love Jan, her new friend, who’s facing challenges of his own. I enjoyed writing their very different family situations and working through their growing friendship, which felt so real to me. So, I guess I hope readers will feel I did a good job handling the setting, and that they’ll love Mara and Jan as much as I do.
What did you find challenging when writing The Time Tider?
I think, with any book that mentions time-travel, even in a sideways sort of way like I do in The Time Tider, things can get complicated pretty quickly! I think the most challenging part of this book was getting my ideas about how the timey-wimey bits work clear in my head, and then getting them on to the page without mangling them too much. I was gently encouraged several times during the writing and editing process to simplify things, and my editors had a pesky habit of asking me really tough questions – ones I didn’t want to think about! – so that we got the clearest version of the story on to the page. It was quite tough at times but I’m so glad we all persevered, as I’m really proud of the final version of the story and I hope it’s not only clear, but also interesting, exciting, and thrilling!
What children’s books would you recommend to young readers that have entertained and inspired you?
This is a question I could answer for the rest of my life! I co-host a podcast called Storyshaped with another children’s author, Susan Cahill, where we ask people questions like this one, and I’ve often thought of the stories that have shaped me, and my life. The ‘classic’ children’s books that I read when I was a child myself and which definitely inspired and entertained me would include Elidor by Alan Garner, A Wrinkle in Time by Madeleine l’Engle, The Little Prince by Antoine de Saint-Exupery, Hounds of the Morrigan by Pat O’Shea, and so many others. But right now there are brilliant children’s books being published every single week: there is no shortage of excellent stories out there to entertain, inspire, and amaze. One of the best books I’ve read this year is Sharon Gosling’s The Extraordinary Voyage of Katy Willacott, which deserves to win all the prizes and sell millions of copies – it really is extraordinary! I’ve also loved The House of Shells by Efua Traoré, Jummy at the River School by Sabine Adeyinka, The Strangeworlds Travel Agency books by LD Lapinski, Rebel Skies by Ann Sei Lin, The Chestnut Roaster by Eve McDonnell, and a stunning picture book by Irish author Olivia Hope with pictures by Daniel Egnéus called Be Wild, Little One has been inspiring me since the first moment I saw it. I hope you go out there and find the book or books for you, and don’t forget to ask your local librarian or bookseller for help and tips if you get stuck.
Any tips for aspiring writers?
I always tell young or aspiring writers to follow my ABC – Always Be Curious. If you bring curiosity with you as you navigate the world, you’ll never be short of ideas and inspiration. I’m forever asking questions about things – usually, inside my head! – and it helps me to see things differently; the crack in the pavement is a portal to another world, or the bird flying overhead is a dragon in disguise, or the scattered stones on the ground are lost teeth from the tooth fairy’s bag, or anything you like! Every time you go for a walk, or every trip you take to the shops, or every journey to football practice, or whatever you might find yourself doing, will be packed with stories and potential stories if you use all your senses to find them. So, soak up the world around you every day, and you’ll find yourself picking up nuggets of inspiration I like to call ‘story seeds’, which will take root inside your imagination and sprout one day into something amazing. And, most importantly of all: never leave home without your notebook! As soon as you are struck with an idea, write it down or draw it out straight away, or that tricky, slippery little thing will be off into the air again, looking for another head to land in. And the last thing: write for fun, enjoy yourself, and don’t judge your own work too harshly. Take it easy on yourself. Creating is tough work! Stick with it, and never lose the joy.
The Time Tider
We are delighted to be working with author Louie Stowell and illustrator Isobel Lundie on this exciting new picture book series, Shakesbear, publishing in 2024.
Louie has gamely taken on the task of reimagining the Bard as a slightly bumbling but lovable bear, and placing him and his friends in a woodland setting revolving around the Glade Theatre – pure genius! Each 32-page picture book is based very loosely on a different Shakespeare play with themes that children will easily relate to, including tears before bedtime (A Midsummer Night’s Dream, what else?) and temper tantrums (The Tempest, of course!). We think young children will love getting to know the colourful cast of characters and finding out that all the world is, indeed, a stage.
Patricia Hegarty, Editorial Director said:
“Louie has a fantastic track record in writing for children, and she has once again woven her magic in bringing Shakesbear and his fellow thespians to life with her trademark wit and humour. We knew that we needed a very special illustrator to do justice to Louie’s cast of characters and Isobel fits the bill perfectly. We have worked with her previously on Super Poopers, so we knew she would wow us with her amazingly rich and colourful illustrations. So, now we have the perfect author and illustrator in place, the stage is set…”
About joining the Little Tiger list, Stowell has said:
“I’ve wanted to work with Little Tiger for ages, and these books are an utter joy to write. After working in preschool publishing, it’s been wonderful to be on the other side of the editorial table, too. And to anyone who thinks English degrees are useless, I say that term spent on Shakespeare is finally proving professionally useful, 20 years on… although sadly all scholars have neglected to pursue the notion that Shakespeare was, in fact, a large, toddler-like bear. Writing books for children to enjoy and relate to that also offer little nods to the adults reading them out loud is one of my favourite things, and working with such a talented artist to bring Shakesbear’s world to life is a dream!”
Lundie also commented:
‘I’m having the best time experimenting with how I can transform a tranquil woodland into chaotic Elizabethan London… and so is my spaniel Roo who runs around madly while I’m drawing the local woodland for reference. I’m really looking forward to this partnership. What a magical project!’
The deal for World: All Language rights for this series was struck with Molly Ker Hawn of the Bent Agency. Isobel Lundie is represented by the Plum Agency.
Little Tiger will publish the first two instalments in the Shakesbear series in Spring 2024.