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You’re Nonna’s favourite meatball: The inspiration behind Lots of Love From Grandma


You could say that my journey to become a children’s picture book author was somewhat accidental. My husband and I were talking about a friend referring to a new baby in the family as a “little meatball.” I thought “Nonna’s little meatball” would be a fun idea for a book to celebrate Grandparents’ Day. I wrote some ideas on a Post-it note featuring foods from grandmas from around the world. I think that food is the universal language in how we express love, no matter what part of the globe you live on. My husband gave the Post-it note to Tom, the publisher at Little Tiger, and he drew some quick sketches while waiting for a plane at the airport. We had a Zoom call where I shared my ideas. Tom then said, “I’ll introduce you to your editor, and you can get started.” My gut reaction was, “Uh-oh, what have I got myself into? I’m not a writer.”

 

My inspiration for the book really came from my grandmothers, who were a big part of my life growing up. My amazing editor Becky helped me transform my sentiments about grandmothers and how they share their love and wisdom with their grandchildren into the lovely rhyming text in the book. My actual occupation is that I am a speech therapist who focuses on literacy. With a focus on literacy, there were some features of the book that were really important to me. I wanted the book to contain “print” embedded within the illustrations. Research shows that young children only pay attention to print 5% of the time when looking at picture books; 95% of attention goes to illustrations. You will find many examples of how the wonderful illustrator Monika Filipina embedded print within the layers of her illustrations.

 

Speaking of the illustrations, I think Monika really captured the nostalgia of what our grandmother’s kitchens and cooking looked like. Women often shared recipe cards and kept them in a binder; cookbooks were well-used, and favorite recipes were obvious by the stains on the page. Family meals were a special time when the table was set with china and a tablecloth. Monika lovingly designed the fabric designs in the book from tablecloths her own grandmother made.

 

Finally, the book is meant be given as a gift, which is why we put in the final page for a grandmother to share a favorite family recipe.  It was important to me that someone could write the recipe, like an inscription, in their own handwriting. Our handwriting is like a fingerprint, unique to each person. I still get sentimental when I see the handwritten recipes my grandmother sent to me 32 years ago when I was a young bride. I hope that all the grandmothers out there enjoy reading it with their grandchildren as much as I enjoyed reminiscing about my grandmothers when I wrote it.

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“I always know where I’m going… except for when I don’t.”: The Story of Pebble and Po

Pebble and Po celebrates friendship and kindness, and explores the importance of asking for help when you need it.

Asking for help can sometimes feel difficult, even for grown-ups, because of the worry that it might be seen as a sign of weakness. I wanted to make a book that highlights how asking for help when you need it is actually a sign of strength, and an important part of becoming a resilient and independent person.

There have been times where I wish I had asked for help earlier. It would have saved sleepless nights and hours of worry. Working in schools, I have been lucky enough to be a listening ear for children who have found the courage to ask for help. Whether it’s a matter of not understanding what happened in class, or worries about how to handle difficult friendships, no matter the scenario, the relief that comes from asking for help is always evident. I think it is something many adults still try to juggle, but it’s never too early to begin the conversation.

The animal characters in the book are still learning how to ask for, and accept, help. Pebble is a very kind rabbit who loves to offer a helping hand, but she is not so good at asking for help herself. She worries about letting everyone else down. Bird is too proud to ask, and Fox is too embarrassed. All these feelings are normal, but they soon discover how much better things can be when they reach out and work together.

Writing the text involved lots of talking and editing with the wonderful Stephanie Stansbie. Boiling the story down to its essence, removing unnecessary text and shaping the flow. Developing the characters was such a fun part, making them as distinct as possible. Pebble is full of energy, chatty and a bit scatty. Po is a calm presence. He doesn’t utter a word throughout the book but expresses himself nonverbally using his body language and actions. Bird is very proud and a little bossy, and Fox is sweet and innocent.

Illustrating animals was a first for me, so I made plenty of sketches to develop the characters and find my feet. I worked with Rebecca Essilife, the amazing Art Director, to give the animals personality and to let each character shine. Po started out blue! Whilst we loved the colour, he blended in with the background a bit too much so we chose a brown that worked better. There was lots of storyboarding and revisions along the way.

I hope readers will take away something positive from the story, whether it’s enjoying an adventurous walk with friends, celebrating kindness and friendship, or recognising the strength it takes to ask for help. It’s been a joy to make and I hope this comes across on the pages.

Emma xx